|
|
| OVERTURE <(1.)> |
1:24 |
| ACT 1:SCENE 1 <(2.)> |
4:41 |
| AFRICA FOR AFRICANS <(3.)> |
2:24 |
| LOUISE'S ARIA <(4.)> |
8:29 |
| A MAN WAS ON THE TRACKS <(5.)> |
3:39 |
| SOCIAL WORKER AND ENSEMBLE <(6.)> |
2:37 |
| CHILD'S ARIA <(7.)> |
3:09 |
| ELLA'S ARIA <(8.)> |
8:19 |
| THE POOL HALL <(9.)> |
6:26 |
| THE DANCE HALL <(10.)> |
5:27 |
| THE POLICEMEN AND ENSEMBLE <(11.)> |
2:17 |
| MALCOLM'S ARIA <(12.)> |
8:19 |
| ACT 2:SCENE 1 <(13.)> |
11:50 |
| YOU ARE NOT EMPTY <(14.)> |
2:27 |
|
|
| MALCOLM WHO HAVE YOU BEEN <(15.)> |
5:02 |
| WE HAVE BEEN BLIND <(16.)> |
2:13 |
| ALLAHU-AKBAR <(17.)> |
2:11 |
| GARVEY PREACHER AND ENSEMBLE <(18.)> |
1:06 |
| WHERE ARE WE NOW BROTHERS <(19.)> |
8:55 |
| WE ARE A NATION <(20.)> |
6:04 |
| CHICKENS COME HOME TO ROOST <(21.)> |
3:24 |
| BETRAYAL IS ON HIS LIPS <(22.)> |
2:03 |
| AS-SALAAM-ALAIKUM <(23.)> |
7:28 |
| BETTY'S ARIA <(24.)> |
5:25 |
| MECCA <11726, (25.)> |
|
| THE NAME IS SHABAZZ <(26.)> |
4:34 |
| AMERICA IS A HOUSE OF GLASS <(27.)> |
6:31 |
| AUDUBON BALLROOM <(28.)> |
1:30 |
